Cliff Gress
Well-known member
- Joined
- Aug 26, 2004
- Messages
- 3,322
Well my ex-Audi was more than five G and it had flaws. People are still in the equation when it comes to making guitars and cars. Plus it's fun to set-up your own guitars.
Well my ex-Audi was more than five G and it had flaws. People are still in the equation when it comes to making guitars and cars. Plus it's fun to set-up your own guitars.
I think people are forgetting that the motto is “only a gibson is ‘good enough’” and not “only a gibson is perfect” :hee
I have purchased a handful of Gibson Custom Shop R8 and R9s this past year and have been blown away at quality and historic accuracy. Haven't felt like quality was there since the mid-90's, but certainly not vintage accuracy. And btw, it just baffles me why it has taken Gibson SO LONG to figure out correct measurements, aniline dyes, plastics, etc!!!
However, I do see now and then some guitars out of production that I would be pissed to receive if I was dealer getting one of these blindly sent to me. Here is a great example of a 60th R9 sitting in Gibson's inventory now that has a top not worthy of the $6,500 price point, and MORE importantly, the employee that did this sunburst should be fired.
Overall, I give Gibson a big thumb's up these days!
I gotsa say I've never seen a wavy ebony board on any guitar, or Gibson. Not to mention two!!!!! Did you take photo's? Was the binding wavy too? Were the waves parallel to the frets? Was the pearl block inlay wavy too?, or did the waves surround them?
Knowing how the boards are profiled, inlayed, fretted and bound before installed on the neck, I find this awful hard to believe. But hey, that's just me. I mean I've met Paul too, and he was great, passionate, knowledgeable and driven to excell. Pleasent, friendly guy. Not wavy. I call shenanighans !!:bigal:ha:hmm
So your problem is some perceived homophobic reaction to an interaction you saw that offended your delicate sensibilities? What a fragile flower, haha! Kinda reactionary, it must have been traumatic to induce a dramatic instrument dump! Yuck!!
Seriously though, I can only say that my personal interactions with Mr Smith were great.
Hahaha. No. I was at the Dallas Guitar Festival and was at a booth next to him where they sold PRS guitars and others. I was buying a 6K guitar. One of a kind from Papblo Santana and Mike Learn. Pablo Santana Concept No.5. Anyway, Mr. PRS was the only guy out of many thousands who had his amp way too loud while he was just sitting at his booth. The salesman and myself asked him very politely to please turn down his amp, for a little while at least, so I could hear the guitar I was about to purchase. PRS saw that the guitar was not his, and he TURNED HIS AMP UP MORE!!! The salesman again asked to comply, but he got flipped off by PRS. I got the owner over and asked what can I do to hear the guitar I was gonna buy without having an all out dueling guitars in a center with several thousands of people. He said PRS was a D*** and he was not going to sell his guitars anymore. Again the owner asked and PRS ignored him. I never got to really hear the guitar I still bought tho. Later that day PRS was talking trash about some guy I don't know with his singer in PRS' wannabe band. Thousands of people standing around, so i thought it was inconsiderate and unprofessional. Then I saw him in a more secluded area looking homo. PRS was literally the ONLY person in at a giant guitar festival who was rudely blaring his amp and he didn't care what anyone else said. Funny how you came up with such a perception about my first comment. No wonder you guys must get along fabulously. hahahahha
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Hi,
I experienced it with a 2019 Les Paul Standard that I had a makeover done to. It showed up with a popped neck joint Here's the really scary thing, there was little to no glue on the tenon or in the pocket. There was no breakage of wood which tells me there wasn't enough glue to actually bond the two pieces of wood together. I will NOT buy and normal production Gibson guitars from this point forward. There are plenty of older decent quality Les Paul's out there for me to take a chance on any oy the 2018, 2019 and beyond.
Build Authentic Gibson!!!
I've owned both Customshop and USA production Gibsons (a Customshop Les Paul Junior, a USA Les Paul Classic – both gone now – and currently a Trini Lopez which says Customshop on the headstock but I don't think it's the same Customshop as the Customshop Les Pauls are built in). All of them have been 'perfect', as in they've played perfectly from the box. None of them has any orange peel, all of them has had file marks on the fretboard and/or binding. The Les Pauls' backs have never been mirror flat.
I've played a few PRS's and they had no imperfections, the fretboards were always extremely well sanded, no filemarks anywhere, the bodies were as identical in finish quality like they were cast in wood. They didn't inspire me at all and the perfection was a huge factor in why. Those tiny imperfections of the Gibsons I've owned show that a human hand was involved in the build, to me that's not flaws, more like personality. Then again, I wouldn't accept 'personality' that affected playability.
+1000. I embrace guitars for their idiosyncrasies. That's how the guitar tells you how it wants to be played. Guitars that are "perfect", whatever that means (i.e. Steinberger, etc.), feel sterile, more like a surgical tool.