DutchRay
Well-known member
- Joined
- Mar 15, 2015
- Messages
- 876
Like anyone, I have some regrets about the gear I sold over the years. My biggest mistake was not buying a '58 Burst when I had the chance in '94.
My other biggest mistake was selling my 1967 Marshall JMP 50W with 8x10 cab, in white. At the time I was working for the dutch Marshall distributor and I got a call about dating a Marshall someone wanted to sell. He was pretty vague about it and from my documentation I couldn't date it right away, so I offered to have a look at the amp and maybe make an offer. I drove over and found a beatup 8x10 cab with matching 50W head, in white... I made him an offer and took the head with me and returned the next day with a trailer to pick up the cab. He also had a '67 Olympic White Telecaster I offered to buy but he wouldn't let it go...
He told me his band had ordered 3 white stacks and 3 white guitars, this 50W, a 100W lead with 2 cabs and a 100W bass with 2 cabs, along with a Strat, Tele and P-Bass. They played them for a few years until the lead and bass amps were destroyed in a barn fire. He kept the 50W and hardly played it after the fire. My Marshall colleagues went nuts, it was a plexi with white back panel, early '67, everything stock. The in-house amp tech checked it out and that was the first time a screw had been turned since '67, it was perfect, caps were fine, tubes were perfectly biased and had plenty of life left.
I played the head for a while with different cabs but the 8x10 was just to big to move, so it stayed at home. I also owned a 1965 Super Reverb and a gold logo Marshall 6101 Anniversary combo which was just as loud, sounded almost as good but much easier to handle so the plexi wasn't my number 1 amp.
One day I got a call from my local guitar dealer, he had a customer for the set so I sold it to fund a 1980 Heritage Les Paul. It went to Al Anderson former guitarist from the Wailers, who later told me he sold it to Steven Seagal (actor).
Still miss it, it sounded so good and looked pretty cool as well...
My other biggest mistake was selling my 1967 Marshall JMP 50W with 8x10 cab, in white. At the time I was working for the dutch Marshall distributor and I got a call about dating a Marshall someone wanted to sell. He was pretty vague about it and from my documentation I couldn't date it right away, so I offered to have a look at the amp and maybe make an offer. I drove over and found a beatup 8x10 cab with matching 50W head, in white... I made him an offer and took the head with me and returned the next day with a trailer to pick up the cab. He also had a '67 Olympic White Telecaster I offered to buy but he wouldn't let it go...
He told me his band had ordered 3 white stacks and 3 white guitars, this 50W, a 100W lead with 2 cabs and a 100W bass with 2 cabs, along with a Strat, Tele and P-Bass. They played them for a few years until the lead and bass amps were destroyed in a barn fire. He kept the 50W and hardly played it after the fire. My Marshall colleagues went nuts, it was a plexi with white back panel, early '67, everything stock. The in-house amp tech checked it out and that was the first time a screw had been turned since '67, it was perfect, caps were fine, tubes were perfectly biased and had plenty of life left.
I played the head for a while with different cabs but the 8x10 was just to big to move, so it stayed at home. I also owned a 1965 Super Reverb and a gold logo Marshall 6101 Anniversary combo which was just as loud, sounded almost as good but much easier to handle so the plexi wasn't my number 1 amp.
One day I got a call from my local guitar dealer, he had a customer for the set so I sold it to fund a 1980 Heritage Les Paul. It went to Al Anderson former guitarist from the Wailers, who later told me he sold it to Steven Seagal (actor).
Still miss it, it sounded so good and looked pretty cool as well...
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