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RIP Kim LaFleur

Starrguitar1

New member
Joined
Oct 2, 2024
Messages
4
As the guitar community begins to learn the news of Kim LaFluer’s passing, I find myself compelled to add my condolences to his family, friends, and the Historic Makeovers crew, as I reflect on our time together and the impact he had on all of us!

In late 2006, Kim approached me to help revive Historic Makeovers after Dave Johnson's departure. His passion for perfecting, what were conceivably, already excellent Gibson Custom Reissues was intriguing, but quickly became infectious! Kim's meticulous eye and relentless pursuit of detail taught me to see the finer nuances in each finish, color, and vintage specs of these guitars. Without his constant drive for perfection, I wouldn't be the guitar painter I am today.

I still hear his voice when deciphering the colors for Gibson refinishes. Kim's eye was truly extraordinary, and I feel incredibly fortunate to have learned from him, especially during those early days. I'm sure many in the Gibson refinish world have shared similar conversations with Kim, but I was one of the lucky ones to have him right there by my side—examining, discussing, and refining until everything was just right.

From 2007 to 2015, we worked on a lot of guitars together! Including seven guitars for Joe Bonamassa, Big Ed replicas, Smokin’ Joe Kubek, and John Shanks—just to name a few of my favorites. Demand for Historic Makeovers grew so much during that time, it allowed my business to grow from a small garage into a full-fledged workshop! Over time, I passed aspects of the makeover process to Kim’s expanding team and focused solely on just the paint work.

By 2015, the Historic crew had become fully self-sufficient, allowing me to step away and turn my focus toward expanding Starr Guitars. Kim, his crew, and I remained good friends—all sharing the same passion for the work we’ve done together! Even though I’m doing my own thing now, we never saw each other as competitors, and had often referred work to each other as we both believe the customer's needs come first.

Kim was also a fantastic resource for things like parts as his knowledge was unparalleled. He was the “go-to guy” when you needed something specific and if he didn’t have it, he probably knew who did!

Kim’s passing will reverberate throughout our community for a long time. My hope is that those of us touched by his influence will continue his legacy and keep the dream alive. While the future is uncertain, I believe he’d want us to carry on what he started—delivering the best possible service to every musician chasing their dream guitar.

Godspeed Kim! You will be missed but never forgotten.

Kip Elder
Starr Guitars
 
Last edited:

Midnight Blues

Well-known member
Joined
Feb 20, 2011
Messages
1,830
As the guitar community begins to learn the news of Kim LaFluer’s passing, I find myself compelled to add my condolences to his family, friends, and the Historic Makeovers crew, as I reflect on our time together and the impact he had on all of us!

In late 2006, Kim approached me to help revive Historic Makeovers after Dave Johnson's departure. His passion for perfecting, what were conceivably, already excellent Gibson Custom Reissues was intriguing, but quickly became infectious! Kim's meticulous eye and relentless pursuit of detail taught me to see the finer nuances in each finish, color, and vintage specs of these guitars. Without his constant drive for perfection, I wouldn't be the guitar painter I am today.

I still hear his voice when deciphering the colors for Gibson refinishes. Kim's eye was truly extraordinary, and I feel incredibly fortunate to have learned from him, especially during those early days. I'm sure many in the Gibson refinish world have shared similar conversations with Kim, but I was one of the lucky ones to have him right there by my side—examining, discussing, and refining until everything was just right.

From 2007 to 2015, we worked on a lot of guitars together! Including seven guitars for Joe Bonamassa, Big Ed replicas, Smokin’ Joe Kubek, and John Shanks—just to name a few of my favorites. Demand for Historic Makeovers grew so much during that time, it allowed my business to grow from a small garage into a full-fledged workshop! Over time, I passed aspects of the makeover process to Kim’s expanding team and focused solely on just the paint work.

By 2014, the Historic crew had become fully self-sufficient, allowing me to step away and turn my focus toward expanding Starr Guitars. Kim, his crew, and I remained good friends—all sharing the same passion for the work we’ve done together! Even though I’m doing my own thing now, we never saw each other as competitors, and had often referred work to each other as we both believe the customer's needs come first.

Kim was also a fantastic resource for things like parts as his knowledge was unparalleled. He was the “go-to guy” when you needed something specific and if he didn’t have it, he probably knew who did!

Kim’s passing will reverberate throughout our community for a long time. My hope is that those of us touched by his influence will continue his legacy and keep the dream alive. While the future is uncertain, I believe he’d want us to carry on what he started—delivering the best possible service to every musician chasing their dream guitar.

Godspeed Kim! You will be missed but never forgotten.

Kip Elder
Starr Guitars

This is extremely sad news! I'm shocked! What happened? He was such a great guy and fellow New Yorker transplanted to Florida. I feel so bad. :(

My condolences to his family and you Kip.

R.I.P. Kim. :(
 

J.D.

Well-known member
Joined
May 24, 2006
Messages
10,070
Thanks, Kip. I'll also share a story about Kim. Back when he started the Historic Makeovers idea, there was a lot of discussion around the historical accuracy of the slightly angled stop tailpiece. Some guys would plug then redrill the body, but was a lot of effort for imperfect results. I came up with an "offset" tailpiece stud concept and ran it by him. I had a prototpe made and showed it to him. He loved the idea, and before long we had a simple arrangement to get them produced. We made essentially no money on it at the volumes produced, but to Kim (and me) it was just a cool idea to serve the guitar community we both enjoyed. He was so fun to talk with, all the great stories he shared about vintage guitars and his ideas to make the makeovers as historically accurate as possible. What a great guy who will be sadly missed by many, including me.
 

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Starrguitar1

New member
Joined
Oct 2, 2024
Messages
4
Thanks, Kip. I'll also share a story about Kim. Back when he started the Historic Makeovers idea, there was a lot of discussion around the historical accuracy of the slightly angled stop tailpiece. Some guys would plug then redrill the body, but was a lot of effort for imperfect results. I came up with an "offset" tailpiece stud concept and ran it by him. I had a prototpe made and showed it to him. He loved the idea, and before long we had a simple arrangement to get them produced. We made essentially no money on it at the volumes produced, but to Kim (and me) it was just a cool idea to serve the guitar community we both enjoyed. He was so fun to talk with, all the great stories he shared about vintage guitars and his ideas to make the makeovers as historically accurate as possible. What a great guy who will be sadly missed by many, including me.
I was around when you brought that to him and remember using those a bit. I also remember pulling studs, dowel and redrilling. Oh, the insanity! LOL
Thanks for sharing!
 

jwalker

Les Paul Forum Sponsor
Joined
Dec 10, 2004
Messages
2,597
Kim called me a month ago. Even considering the toll his illness had taken he kept a fighting spirit. He even sent me a video of him heading into a rehab session.

For the guitar community Kim leaves a legacy of beautiful work done with love and enthusiasm. I’m lucky to have been a customer of his and to have had him as a customer. Kim’s generosity as a human being showed in everything he did. I’ll miss him.
 

DANELECTRO

Well-known member
Joined
Feb 24, 2003
Messages
6,334
Thanks, Kip. I'll also share a story about Kim. Back when he started the Historic Makeovers idea, there was a lot of discussion around the historical accuracy of the slightly angled stop tailpiece. Some guys would plug then redrill the body, but was a lot of effort for imperfect results. I came up with an "offset" tailpiece stud concept and ran it by him. I had a prototpe made and showed it to him. He loved the idea, and before long we had a simple arrangement to get them produced. We made essentially no money on it at the volumes produced, but to Kim (and me) it was just a cool idea to serve the guitar community we both enjoyed. He was so fun to talk with, all the great stories he shared about vintage guitars and his ideas to make the makeovers as historically accurate as possible. What a great guy who will be sadly missed by many, including me.
I've got a pair of those offset studs positioning the stopbar at the proper angle on my HM R8. The Custom Shop still hasn't fixed the bushing position, which was one of the reasons to count on Kim and crew for a solution to those fine details

Dscn3756 2000.jpg
 

potionwerks

New member
Joined
Nov 6, 2024
Messages
8
Although I only spoke with him on two occasions my strong intuition is that Kim was a genuinely kind person who was also an absolute master of his craft. I spoke with him twice regarding a guitar that I inherited and he was warm and chatty in a very natural way, never trying to sell anything, just passionate about all things Les Paul and life generally. His wait list was long so I do not have the experience of a direct commission but have owned three HM's - all are superb instruments - and regret having to part with two of them when 2020 fell apart. Are they vintage? No. Are they wonderfully crafted re-creations? Absolutely. Do they have magic in them? Without question.

You can feel the love put into those guitars and sense the dramatic effect of his effort along with his team of acolytes. He has enabled many who would never have the opportunity to caress a golden-era Les Paul the opportunity to sense an equivalent, if not superior, instrument with respect to craftsmanship and attention to detail. Thankfully it seems that he was also generous with his knowledge and training so his skills live on. We need to cultivate our youth with a passion for excellence and pursuit of craft like he had. Our civilization would benefit immensely if we had a few more Kim Lafleurs in domains of importance.
 

potionwerks

New member
Joined
Nov 6, 2024
Messages
8
Thanks for welcoming me! The knowledge bank here is remarkable, I've stumbled upon various threads over the years that have been very helpful in understanding the innumerable variations of the LP, so it's good to be 'official' now. Mike Slubowski helped me ID an odd-ball early reissue I purchased some years ago outside of the forum so I'm glad to see that it's still going strong and hope that maybe I can add a little value on occasion.
 
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