El Gringo
Well-known member
- Joined
- Apr 8, 2015
- Messages
- 5,776
First hand knowledgeWere'd you hear this? So far, I've only heard it was a problem with some of the the ML aged guitars with the cherry backs.
First hand knowledgeWere'd you hear this? So far, I've only heard it was a problem with some of the the ML aged guitars with the cherry backs.
That's a new one. Got any pics showing the flaking on a non-ML? That could be an even bigger problem.First hand knowledge
I have a hard time believing that the motivation behind Gibson's newest model line....the "Murphy Lab" models..... is anything but marketing hype.Turns out there is a lot of talk on the internet about the marquee Murphy labs finish giving out.
seems its turned into a little bit of a disaster for Gibson and Murphy the man himself.
anyone have first hand knowledge about this and can dispel it ?
word has it some folks like the tone so much they are keeping them anyway
I have a hard time believing that the motivation behind Gibson's newest model line....the "Murphy Lab" models..... is anything but marketing hype.
It seems straight forward to me.I have a hard time believing that the motivation behind Gibson's newest model line....the "Murphy Lab" models..... is anything but marketing hype.
Correct on the dark cherry and double correct around the strap pins . Not unique to the Murphy Lab series also as it's the regular Gibson Custom series also . Tom Murphy is getting beat up a unfairly as this is a Gibson Custom Division issue !There's definitely something going on, that for Gibson is unique to the Murphy Lab line. For anyone who's played a new Murphy Lab, the finish is undoubtedly different and I haven't seen this on any non-ML. I can vouch that the problem appears to be only the cherry finish, and the flaking is most prevalent on the sides in areas near the strap pins. Both my 54 and 59 heavy aged arrived without noticeable flaking, but my 59 has begun to flake whereas the 54 with lighter back doesn't show a bit of it.
Here's the 59. LOVE this M2M with some Page #1 specs including the neck profile with the nicest feel and perfectly rolled binding, and I don’t want any sanding/refinish to change it. So I'm reluctant to send it in for repair, and will maybe do it only if the flaking/lifting worsens. You can see how the checking appears consistent with freezer method aside from the actual lifting that's visible near the strap pin and jack plate....similar areas to others shown. If you can't see the difference between the "defective" areas and intentional checking, I don't know what to tell you.
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This is accurate as I seen this yesterday .This is a Sweetwater return they are selling at a reduced price...the pics show the flaking and lifting of the finish.
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Dang those cracks look like you could actually feel them which really isn't good.This is a Sweetwater return they are selling at a reduced price...the pics show the flaking and lifting of the finish.
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I have a hard time believing that the motivation behind Gibson's newest model line....the "Murphy Lab" models..... is anything but marketing hype.
Is the same problematic cherry filler/pigment being used across the Historic line, with only the lacquer different with the MLs? I just haven’t seen similar flaking on non-MLs, but maybe the different lacquer is more forgiving despite there’s still a similar adhesion issue?Correct on the dark cherry and double correct around the strap pins . Not unique to the Murphy Lab series also as it's the regular Gibson Custom series also . Tom Murphy is getting beat up a unfairly as this is a Gibson Custom Division issue !is the same
This is my gut feeling as I have no evidence but I think Gibson Custom is using the same Nitro on both the Murphy Labs as regular Gibson Custom . I have a hard time believing there are 2 different types of formula for the clear coat Nitro ? As far as the area goes I also believe this is where the contact happens between the interior lining of the case and the bottom end of the instrument which then makes contact with the lining and the mahogany .Is the same problematic cherry filler/pigment being used across the Historic line, with only the lacquer different with the MLs? I just haven’t seen similar flaking on non-MLs, but maybe the different lacquer is more forgiving despite there’s still a similar adhesion issue?
I’m also curious why the problem appears to be happening in the same areas of every guitar I’ve seen. The headstock/neck/back on mine looks just fine…same thing with pics I’ve seen of others.