Dave P
Well-known member
- Joined
- Oct 13, 2001
- Messages
- 1,080
The Custombuckers in my R8 sound fine to me. I'm sure there are better options out there, but I don't feel chasing my tail and spending tons of loot swapping pickups endlessly.
That’s my take on it. Swapping pups I shouldn’t have to do. I mean if I did? I’d just Gibson’s new ones next yr. But you can get rid of brightness by swapping thumbwheels to brass I’d imagine? I also changed the bridge to a more authentic made bridge along with thumbwheels and it definitely made a different you can hear. Warmer, a little louder but overall just better sounding.The Custombuckers in my R8 sound fine to me. I'm sure there are better options out there, but I don't feel chasing my tail and spending tons of loot swapping pickups endlessly.
Theres something about the underwound sets from WW and CME…… magicI’ve kept Custombuckers in my Wildwood R8 since I bought it new in 2020. Wildwood’s versions are under-wound (very low 7k) and these sound great! I get a warm creamy neck tone and lots of growl and bite in the bridge. I mainly use a Marshall 1974x and a hand wired AC-15. Both pickups respond very well when adjusting the tone control to dial in different sounds. Compared to my other CS Les Paul’s, these can hang with them no problem.
Sounds very nice. What kind of genre are you playing? Any particular bands?On page 1, I posted that I'd bought a 2018 R0 and didn't care for the Custombuckers in it at all, which is true; a set of BB1 & BB2 from 2008ish were much better in that guitar. I just bought a 2023 ML ULA '59 that a friend didn't want to pay to return, and the Custombuckers in it are fantastic. The spank on the attack in the neck position is unreal. How much of that is the guitar and how much is the pickup, I can't say, and I'm not touching a thing to find out!
Classic rock / blues rock as a general description, but Duane Allman and Bluesbreakers-era Clapton are strong influences stylistically and tonally. Honestly, it's kinda whatever comes to mind at the moment, so...Sounds very nice. What kind of genre are you playing? Any particular bands?
I guess that’s the place where custombuckers thrive? Plus more clean tones?Classic rock / blues rock as a general description, but Duane Allman and Bluesbreakers-era Clapton are strong influences stylistically and tonally. Honestly, it's kinda whatever comes to mind at the moment, so...
Alas no. ? Well, I mean, recordings to some degree, I guess. But that’s true of all of us, right?Just curious, those that have CBS that they are happy with and feel sound like vintage PAFs…what are you comparing them to? Recordings? Another guitar with vintage PAFs ?
Comparing with all of the above. I will say I played a real 59 Burst that had not the original PAFs but either modern Gibsons or Seymour Duncan PAF copies and it sounded stupidly good anyhow, for whatever reason. Also played a 1961 LP Custom Black Beauty 3 pickup like Jimmy Pages with the original PAFs and that guitar was so responsive, it seemed to “give back” sound wise twice whatever I was playing. Definitely an amazing experience that the Burst I played years later replicated.Just curious, those that have CBS that they are happy with and feel sound like vintage PAFs…what are you comparing them to? Recordings? Another guitar with vintage PAFs ?
Comparing with all of the above. I will say I played a real 59 Burst that had not the original PAFs but either modern Gibsons or Seymour Duncan PAF copies and it sounded stupidly good anyhow, for whatever reason. Also played a 1961 LP Custom Black Beauty 3 pickup like Jimmy Pages with the original PAFs and that guitar was so responsive, it seemed to “give back” sound wise twice whatever I was playing. Definitely an amazing experience that the Burst I played years later replicated.
“Better” is always subjective. I could have the best hammer in the works but does me no good if what I really want is a screwdriver. So if I am playing Steve Vai shredder stuff then I am using a totally different guitar with different pickups. Adding to the mix comparing vintage guitars and modern reissues with CBs is that the pot values on the reissues are lower than most vintage 50s guitars so you are actually losing some signal.Alas no. ? Well, I mean, recordings to some degree, I guess. But that’s true of all of us, right?
In my case, it’s really just my previous experience with owning 20+ Gibson LPs (both USA and CS) and with having tried (ie, swapped in) around 40 or 50 different aftermarket/boutique pickups over the years of tonequesting. As a result, I honestly only judge by whether I “like” or “don’t like” the end result, without much claim to knowing whether or not it sounds “vintage”.
Besides, let’s be honest, so much depends on the amp (and the rest of the signal chain) when it comes to what we’re hearing. I play through a Marshall DSL40C combo that’s been converted to a head (via a MojoTone head box) and run through an ‘80s Marshall 4x10 1965B cab (with its original ‘80s Celestion G10L-35 speakers) stacked on top of a (modern) Greenback’d 1x12 cab made out of the remnant the original DSL40C box. And I typically use a TS808 in front of all that (through the amp’s green channel). Probably not the perfect set up for ultimate “vintage” emulation… but dayum does it sound good to me in my guitar grotto (ie, room in my basement I made into my guitar space).?
That said, to my ear and my first hand experience with my other guitars and pickups, the CBs in my 2022 BB7 and 2023 R9 do sound the best of any I’ve had prior. Do they sound vintage correct? Geez, honestly, at this point… no idea! But they sound really good!