• THIS IS THE 25th ANNIVERSARY YEAR FOR THE LES PAUL FORUM! PLEASE CELEBRATE WITH US AND SUPPORT US WITH A DONATION TO KEEP US GOING! We've made a large financial investment to convert the Les Paul Forum to this new XenForo platform, and recently moved to a new hosting platform. We also have ongoing monthly operating expenses. THE "DONATIONS" TAB IS NOW WORKING, AND WE WOULD APPRECIATE ANY DONATIONS YOU CAN MAKE TO KEEP THE LES PAUL FORUM GOING! Thank you!
  • WE HAVE MOVED THE LES PAUL FORUM TO A NEW HOSTING PROVIDER! Let us know how it is going! Many thanks, Mike Slubowski, Admin
  • Please support our Les Paul Forum Sponsors with your business - Gary's Classic Guitars, Wildwood Guitars, Chicago Music Exchange, Reverb.com, Throbak.com and True Vintage Guitar. From personal experience doing business with all of them, they are first class organizations. Thank you!

hey Ed Rafalko

Marshallhead

Active member
Joined
Jul 19, 2001
Messages
5,556
if i remember correctly you have a duncan distortion loaded in one of your lp ri's-how is the tone and what type of amp are you using?i'm looking to buy another r9 or an r8 and want to load one of these in it-i'll probably use it for the modern rock band i'm in and i was curious in the event i use it with the blues band if it is workable for a gary moore type tone-any help would be great
thanks
 

Robert Sherman

New member
Joined
Jul 23, 2001
Messages
424
I have a pair of SD distortions in a 95 LP std. I play it through a JCM 800 and a Mesa rack. It's probably a little hot for Gary Moore, but you could make it work. Definately does the modern rock thing in spades. You might want to try a SD Custom and slap an alnico V magnet in it. That would be much better suited to Moores rock/blues tone, and will still give you the modern rock tones as well.
 

Ed Rafalko

Les Paul Forum Member
Joined
Jul 15, 2001
Messages
6,287
I run most of the time through two Marshall ELad 12 solid state amps- I plug the single end of a Y cable into the guitar and the ends into the two amps. It seesm to work well and I get lots of fullness at very very low volume. When I'm not doing that I'm plugging into the plexi 50-watt reissue with a master mod and gain-increasing mods, also with a litle revoicing of the tone stack.

OFr some things, the DD through the plexi is too much gain- to get a decent Gary moore tone I think I'd have to turn the gain on the plexi down quite a bit. On the LKead 12's, I haven't tried but I suspect that turnign teh gain down will help somewhat- but i won't get the sustain I'm thinking you'll want.
Overall, the DD is a great pickup though. I'm not currently playing the LP r9- it's had its hardware removed and I am blueprinting the wood. Eventually it will be back together, and I migh try the Seth in the bridge again to see if it works at all in my situation for what I'm looking for. I do think, though, thati will end up putting the DD back in unless myKorina Dean ML ends up with a zebra DD in the bridge.
The R9 is a very bright guitar, and the DD just screams through anything with it. The Seth is a bit more mellow but not a whole lot. I've noted that the DD adds distrtion to teh amp, ewhile the Seth lets the amp add more of its voice to the signal. I think both sound really good.
 
Top