I have went as high as 11's on my Strat before, but settled on 10's for both Gibson and Fender scale instruments set up in E std. The slight increase in tension is more than made up for in both the ease of digging in on a Fender neck and in the case of Strats the give of the traditional spring tensioned vibrato.It's an interesting list, but doesn't unfortunately (as noted above) take account of things like scale length, tuning or simply what were available "packaged sets" at the time (the Hendrix 10-38, for example, was the then common Fender F150 set) - at the end of the day a lot of these (variables allowed for) are going to come out at the sort of tension you'd get with 10/11 high E sets on a standard Gibson scale I suspect.
We know what instruments most on the list are using. I editied out a lot of specific info as it's mostly superfluous.It's an interesting list, but doesn't unfortunately (as noted above) take account of things like scale length, tuning or simply what were available "packaged sets" at the time (the Hendrix 10-38, for example, was the then common Fender F150 set) - at the end of the day a lot of these (variables allowed for) are going to come out at the sort of tension you'd get with 10/11 high E sets on a standard Gibson scale I suspect.