I have went as high as 11's on my Strat before, but settled on 10's for both Gibson and Fender scale instruments set up in E std. The slight increase in tension is more than made up for in both the ease of digging in on a Fender neck and in the case of Strats the give of the traditional spring tensioned vibrato.It's an interesting list, but doesn't unfortunately (as noted above) take account of things like scale length, tuning or simply what were available "packaged sets" at the time (the Hendrix 10-38, for example, was the then common Fender F150 set) - at the end of the day a lot of these (variables allowed for) are going to come out at the sort of tension you'd get with 10/11 high E sets on a standard Gibson scale I suspect.
We know what instruments most on the list are using. I editied out a lot of specific info as it's mostly superfluous.It's an interesting list, but doesn't unfortunately (as noted above) take account of things like scale length, tuning or simply what were available "packaged sets" at the time (the Hendrix 10-38, for example, was the then common Fender F150 set) - at the end of the day a lot of these (variables allowed for) are going to come out at the sort of tension you'd get with 10/11 high E sets on a standard Gibson scale I suspect.
I like nines got a couple of guitars and I changed out the first two strings to 10 and a 14 works much better on those two guitars. I don’t know why ones a les Paul and One and Ibanez some reason they had a dead fret but the minute I changed and put the bigger strings on fox I didn’t want the whole set so kind of mix and match. You can order them from string. World in mixed setsI had 9s loved it buy maybe a bit too loose, so put 10s on. 10s feel more right, for double stops, chords, and ok with most bends, but I do miss bending beyond one whole stop. What rest think of this? Thanks.
I do use 9.5s which are a good middle ground between 9s & 10s.