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Dickey Betts' "Redtop" Goldtop...a bunch of cool pics!

guitty

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Joined
Jan 14, 2010
Messages
46
The Fillmore East guitar is the Betts/Toler, definitely. This had the bigsby mark on the top when it has been a Goldtop. After the respray to Cherryburst there were no more bigsby marks. There are no bigsby holes seen on the bottom end due to the finish.
 

Unbound Dot Neck

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Jun 14, 2004
Messages
1,623
Yikes, water damaged , lifting top and binding, salt water deposits on the frets
Who did what and when ? Needs pro assist.

:salude
 

JBLPplayer

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Joined
Sep 29, 2010
Messages
1,136
Gad Zooks!! I know it's his guitar and he can do what he wants...

Joe B

PS Don't mix beer and paint thinner. :wah
 

Big Al

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Apr 24, 2002
Messages
14,541
I thought the "Red Top" guitar was the heavily played GT that was modified several times with screw on whambulatory bridges like the Washburn top mount and others. Used in 80's early 90's ABB shows then painted red? I seem to recall some involvement from Fuchs amp guys in an old thred on this forum. This must be it, don't ya think? How many 58's have a near center seams?

As far as value I'd buy a new Nicky or Donna over that husk.
 

Maxmc

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Mar 15, 2015
Messages
652
I thought the "Red Top" guitar was the heavily played GT that was modified several times with screw on whambulatory bridges like the Washburn top mount and others. Used in 80's early 90's ABB shows then painted red? I seem to recall some involvement from Fuchs amp guys in an old thred on this forum. This must be it, don't ya think? How many 58's have a near center seams?

As far as value I'd buy a new Nicky or Donna over that husk.
Amen to that. This thing is almost like great grandad's old axe. Two new handles and a new head but it's still great grandad's old axe!
 

66SuperTremMKIV

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Oct 4, 2015
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405
I think Dickie has long forgotten whatever this guitar was. Little value in speculation, and little value in what's left of this guitar.
 

STROKER

Member
Joined
Nov 15, 2004
Messages
121
The owner of the guitar really wants to cash in on the dickey story I would like to see some proof of his ownership otherwise we are just talking about a cool project husk . I would like to hear the real story on the guitar who smashed a 58 goldtop and left it for dead. I've seen the guitar I don't think the fretboard on it has ever been played or is playable.
 

WBailey

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Apr 23, 2015
Messages
1,131
I think Dickie has long forgotten whatever this guitar was. Little value in speculation, and little value in what's left of this guitar.

Agreed 100%. This is NOT Goldie ! She is a '57. This is NOT the Toler ( wrong serial )

Last I heard, Dickey still has Goldie, and KNOWS what she's worth ! :ganz

This one, cool STORY.

So, whats a '58 husk with a cool STORY worth ?

I,m with Mapleflame, that scarf joint diminishes all integrity. ( Frankenstein ) :hee

Anybody know what became of the " dumpster " guitar ? :wah
 

mistersnappy

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Joined
Jan 20, 2006
Messages
7,321
Anybody know what became of the " dumpster " guitar ? :wah

I don't but, don't forget, he played two (at least) Norlin-era Lesters in the ABB: a sunburst with humbuckers and a Goldtop Deluxe with mini-humbuckers.

This makes me wonder what year/serial number range Darkbacks occured in? :hmm I know there were some in '58. If it was/is Dickey's guitar, it *might* be that other Darkback he used in '75-'76.

Or not.
 

j45

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Joined
Jun 14, 2002
Messages
9,081
I,m with Mapleflame, that scarf joint diminishes all integrity. ( Frankenstein ) :hee


I'm betting that is not a "scarf" joint repair but rather an ugly break that was simply clamped and glued back......and the way it broke was clean enough that it just happens to "almost" resemble a scarf...but obviously not if you look closer at the lines. I've seen (and owned) scarf joint repairs and also owned factory repaired Les Pauls, with the new neck section that was scarfed to the original neck section and stamped with typical repair serial # font.... and that's not what any looked like. Number one, the lines are jagged like a break that was simply put back in place a re-glued...two, the neck finish is so badly done you can't really be sure of the grain but I don't see a bunch of, if any evidence that it is a different piece of wood. This looks like the break held up pretty clean except for the tip which appears to have been lost in the break. And last, pretty rare to see a scarf repair done with an original donor neck **with serial number! I would bet that is the original neck, all the way up to the serial....simply broken and re-glued...which can be solid as can be.

This is a 50's goldtop with a scarf joint repair:

53-5710.jpg
 

gmann

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Joined
May 26, 2003
Messages
6,159
I think Dickie has long forgotten whatever this guitar was. Little value in speculation, and little value in what's left of this guitar.

There's value there but it would take a lot of money to make it a viable player again.
 

MapleFlame

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Joined
Jul 3, 2005
Messages
14,044
I'm betting that is not a "scarf" joint repair but rather an ugly break that was simply clamped and glued back......and the way it broke was clean enough that it just happens to "almost" resemble a scarf...but obviously not if you look closer at the lines. I've seen (and owned) scarf joint repairs and also owned factory repaired Les Pauls, with the new neck section that was scarfed to the original neck section and stamped with typical repair serial # font.... and that's not what any looked like. Number one, the lines are jagged like a break that was simply put back in place a re-glued...two, the neck finish is so badly done you can't really be sure of the grain but I don't see a bunch of, if any evidence that it is a different piece of wood. This looks like the break held up pretty clean except for the tip which appears to have been lost in the break. And last, pretty rare to see a scarf repair done with an original donor neck **with serial number! I would bet that is the original neck, all the way up to the serial....simply broken and re-glued...which can be solid as can be.

This is a 50's goldtop with a scarf joint repair:

53-5710.jpg

That was done very professional, it's obvious all the work on the RED TOP, was not, just look at the board etc...
 

WBailey

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Joined
Apr 23, 2015
Messages
1,131
There's value there but it would take a lot of money to make it a viable player again.

So, what do you think it's worth ?

I think the neck is shot. But, so was Greeny. :hmm

Any guesses ? 17K would not buy it.

A '58 husk with a cool story = $ ??,??? +

Or, how about this. A letter from Dickey saying this is the darkback he used in 1975. Any value there ?

For what it's worth; Clapton had over 300 strats at one time. He would send his guitar tech ( Lee Dickson ) out to sell them incognito, so as to avoid this kind of thing.

Point; Clapton and Blackie, Brownie, Cool.

Dickey and Goldie, Cool.

This one ? :hmm Meh, maybe. Whatcha think ?
 

sws1

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Joined
Dec 4, 2001
Messages
2,848
My logic...

Value of good '58 GT ($100k for easy math)
less 70-75% for neck, refin, extensive damage, etc.
less cost to buy all new plastic and parts ($20k)
less cost to do the refin / repairs ($3k?)

PLUS use by Dickey, but not Fillmore guitar, if proven/signed ($5k)

I'm at $7-12k. Obviously, seller isn't selling to me.
 

MapleFlame

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Jul 3, 2005
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14,044
It looks like it went from gold to Red and then back to Gold. The drips in the neck pickup area are strange. Many things look very amateurish in repairs. Board and binding look unfinished stage. Maple strip under board looks slightly torn out. The back cracks, do they go all the way through. It reminds me of a Hendrix Strat, smashed on stage or a girlfriend/wife hate crime against guitars lol
 

MapleFlame

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Jul 3, 2005
Messages
14,044
This is an interesting guitar, late 60's inlays but has 50's binding in horn. Second song he plays. I wonder if it was a reboard. Looks like reflector knobs that has the reflectors out No?
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