Don't try this at home!
Installing vintage replica bushings made from iron that's over 70 years old.
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Fretboard radiused
For what it's worth, I've refretted (and measured) 100s of old Gibsons. The boards are 10" or close to it, not 12". The bridge is 12", that slight mis-match is a big part of the vintage Gibson feel.
You're not trying to say that iron that's "over 70 years old" would sound any different or better than "younger" iron, do you? :laugh2:
This is great. I'm assuming Florian is in Europe?
Cool work and very informative photos folks, thanks.
On the other side i am a bit shocked after i saw the sloppy Memphis original construction quality. :hmm
If I were in the US I would have returned that guitar. Everybody says the 2016 Memphis guitars are made really well. I think just had bad luck with this guitar.
If I were in the US I would have returned that guitar. Everybody says the 2016 Memphis guitars are made really well. I think just had bad luck with this guitar. Strange, since this guitar has such a beautiful "Blonde" grade top and back. Three things about it stick out for me 1) the high E string almost hanging off the side of the fretboard (see the pics on my first post) , 2) The tailpiece bushings were so loose you pulled them out with a bolt and fingers, and 3) the neck fit - the bottom of the tenon was not in contact with the base of the mortise. Some others highlighted the ABR-1 thumbwheels being too high for a '58, which is true, but it seems that Memphis has never caught on to this detail and seems to be the average norm for all Memphis ES-335 guitars, so it didn't bother me much. It was no higher than many of my Nashville made R9 Historic Reissues which vary a lot - some low and some high. It's just a bonus now to be able to set it lower since I am getting a Makeover. Which brings me to another point that not many will realize - that not many Makeovers include a neck angle reset. Perhaps a neck removal and reset with hide glue, but no angle adjustment. Here, Florian is doing that for me, and I'm very happy about it.
Not aged steel if that's what you mean! :## I meant steel produced in a different era, old stock steel, or salvaged (not recycled) steel, the stuff that was made 60 to 70 years ago.
I don't know if they sound any different, but I work on German car engines and gearboxes for a living, and when we work with steel gears that come from cars from the 50's and currently manufactured replacement parts for the very same cars, the material properties are different. If you took a sledgehammer to the gears doing a quick and dirty destructive test, you'll find that the old stuff stands up to blows much better and deform slightly, while the new stuff, same part mind you, shatters into pieces. I don't know for certain if the manufacturers would purposefully spec a different steel than was specified 65 years ago for the very same application, but perhaps the material available was just different. For certain from my experience the steel you get today off the shelf is different from the stuff you could get 70 years ago, this is my personal experience from a non scientific point of view, just observation. Whether it translates to better sound is even further out of my realm of expertise, but in the case of my guitar, the tailpiece studs where so loose from factory the the puller Florian used didn't even need a wrench to turn them out, just fingers, and I need better fitting bushings which Florian provided. Look at the (video of the) hammering in of the studs, with no marks whatsoever from the blows. It does seem to parallel what I experience when working on old steel. Not sure about sound though!
Could be you are working with inexpensive Chinese steel. About 50% of world steel production comes from China.
Today there are two major commercial processes for making steel, namely basic oxygen steelmaking, which has liquid pig-iron from the blast furnace and scrap steel as the main feed materials, and electric arc furnace (EAF) steelmaking, which uses scrap steel or direct reduced iron (DRI) as the main feed materials. Oxygen steelmaking is fuelled predominantly by the exothermic nature of the reactions inside the vessel where as in EAF steelmaking, electrical energy is used to melt the solid scrap and/or DRI materials. In recent times, EAF steelmaking technology has evolved closer to oxygen steelmaking as more chemical energy is introduced into the process.
I'm surprised to hear about all the quality issues. I have a 2015 59 335 and it's awesome. I asked Curt at HOG to hook me up with the best one out of the lot, and he did. Blonde and sounds like an acoustic unplugged. Wasn't a huge fan of the MHS' so I put a set of Rewinds in and haven't looked back. Hope you guys get your guitars issues worked out.