Let's See Your Pedalboard!

stormbringer_777 said:

New here, but recently went from this:
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To this:
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<iframe class="imgur-embed-iframe-pub imgur-embed-iframe-pub-jAcsuUX-true-540" id="imgur-embed-iframe-pub-jAcsuUX" src="http://imgur.com/jAcsuUX/embed?ref=http%3A%2F%2Fwww.lespaulforum.com%2Fforum%2Fnewreply.php%3Fdo%3Dpostreply%26t%3D112615&w=540" scrolling="no" allowfullscreen="true" style="margin: 10px 0px; padding: 0px; width: 540px; height: 500px;" mozallowfullscreen="true" webkitallowfullscreen="true"></iframe>
Basically going through my Line 6 G50 wireless into a pair of Voodoo Labs HEX units (1 for each drawer), each powered by T-Rex Fuel Tanks. 1st drawer: Red Witch Lily Boost, Red Witch Grace Compressor, Paul Cochrane Timmy, Fulltone OCD, Speedster Super Turbo, Fulltone Custom Shop Mini Deja Vibe. 2nd drawer: Korg Hatsune Miku, Boss Super Chorus, ADA Flanger, Red Witch Violetta Delay, Keeley Aurora Reverb. Have space for one more effect, probably going to be a second delay (maybe a Carbon Copy). All this feeds into my Kemper with Guido Bungenstock profiles and controlled via my Rockman Midimate...

Still a work in progress, LOL...<script src="//s.imgur.com/min/embed.js" charset="utf-8" async=""></script><script src="//s.imgur.com/min/embed.js" charset="utf-8" async=""></script>

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mmcquain said:

This is my latest version of my church pedalboard I keep there for praise band each week. And yes, if you look close you'll notice I run the signal "backwards" through the true-bypass looper (i.e., it runs left to right instead of the "normal" right to left like most loopers). This puts the A/B loop at the end of the signal path where I can switch between the 2 EP Boosters (one is set always-on for rhythm and the other is cranked as a boost for playing leads).

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The Shifter said:

Put together a new board for fly in gigs. The Flint was expensive, but allowed me to save some space/weight by replacing the BOSS Trem and TC HoF. And also, you know, brownface trem.:salude

The Box of Rock is there for the boost and also when I run into a radio situation and all they have is a BF Twin reissue.
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Pellman73 said:

put this on the klon thread but I thought I'd throw it here too

http://

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zhivago said:

Small update to mine

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The Shifter said:

Put together a new board for fly in gigs. The Flint was expensive, but allowed me to save some space/weight by replacing the BOSS Trem and TC HoF. And also, you know, brownface trem.:salude

The Box of Rock is there for the boost and also when I run into a radio situation and all they have is a BF Twin reissue.
View attachment 6106

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P.Walker said:

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fakejake said:

Nice one! But why the need for 2 delays?

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fakejake said:

How do you like the Flint? They are so expensive, and the reviews I've seen have been mixed.. People seem to praise their versatility, but say that there are better options available for spring reverb sounds.
I'm considering getting one since I only have the Neunaber Wet which doesn't do spring reverb...

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fakejake said:

How do you like the Flint? They are so expensive, and the reviews I've seen have been mixed.. People seem to praise their versatility, but say that there are better options available for spring reverb sounds.
I'm considering getting one since I only have the Neunaber Wet which doesn't do spring reverb...

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P.Walker said:

I first read the vintage guitar mag review before getting one, was not disappointed.

I have a 65 princeton reissue for reference and the flint can do princeton's spring about 90-95%, the trem pretty spot on, with room for many other sounds, and weights nothing.

It is also very live friendy, very high build construction (with silent footswitch, option for trails/true bypass), not a thing wrong with it. Well thought out an engineered, and very simple to use once you play around with it for a day or so.

Short of carrying a reverb tank or a trem unit, this is probably the best I've found for my use (even if I had those tanks, I'd still use the flint, and I'm very far from a digital guy).

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P.Walker said:

thank you! The el capistan is like an echoplex without the preamp (which kind of doesn't make it one?! but it's cleaner than analog and not as sharp as digital), so I use it as a clean delay. The belle epoch is to satisfy the inner eric johnson in me. Gives the necessary bottom end and push for a strat (or any guitar for that matter) through a fuzz face...makes it sound more johnsony? Haha.

A sunface or any fuzz face derivative sounds very tinny through an amp that's not cranked, so the belle epoch comes in handy as a dirty delay.

Here's a sample : I miss this guitar so much!

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Pellman73 said:

nice playing dude

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